The young man at the beginning of Andrei Tarkovsky’s The Mirror stammers and stutters, and then learns not to.

My grandmother, Rose-Marie, staggers out of The China Hall Public House, The White Horse Tavern, The Crystal Tavern, The Eagle and never learns. In the icy wastes of the French Alps she dives into freezing lakes. Followed by my grandfather, without a St. Bernard dog for company. ‘Ice, No Brandy’. The very very late night Troy Bar in Soho always clings.

However far I try and get away from ‘Grey Gardens’ it still tugs me back to ‘Tea for Two’. Just tea for two and two for tea Just me for you Just tea for two and two for tea Just me for you.

Our lives are smeared throughout the world, recalled through disparate, dissolute, fragmentary images, sounds and memories.

On the 27 of December 1960 Marilyn Monroe gave birth to a baby boy. Two weeks earlier she had flown to the town of Pointe-à-Pierre in Trinidad and Tobago to give birth. The father is unknown. She gave it up for adoption immediately. A Mexican divorce was granted to Arthur Miller and Marilyn Monroe on January 24, 1961. The boy, weighing 6lbs and 12oz was adopted by Sheila and Stephen Ingham

120 Days and Nights of STAGGERING STAMMERING is an installation that sucks in and spews out images of the people and surroundings it encounters, real or imaginary, wherever it happens to stumble: New York, London, Venice, Iquitos, Ocho Rios.

Consisting of old SLR film cameras and LED spotlights each of the 120 ‘projectors’ throws out images of people, events and the fabric surrounding wherever it is exhibited. A dense flickering array of images negotiated and dictated by the space, can be projected into, onto and outwards of any given situation/site.…